Typography : Tron Legacy Countdown

Obviously, I'm pretty excited about the release of Disney's Tron Legacy film. So much so that I decided to create a new poster design for every day counting down to the big launch. This was a bit taxing to come up with a different color and number design, but I'm happy to say it worked out and I launched the final design today.

All of these numbers were custom built in Illustrator and ported to Photoshop where I applied my backgrounds, effects and textures.

See more of my work at Signalnoise.com and follow me on Twitter

Tron Legacy countdown

Typography Works 2010

Straight from Belgium Raphael Vicenzi is a freelance graphic designer specialized in illustrations and typography, and when a project require both of these styles, Raphael make sure that fireworks will come out at the end of project. Check it out!

Works 2010

By : Raphael Vicenzi

Happy New Year Typography

Happy New Year by wecoastdesign is a wonderful start for a new year. Fresh, shiny and sweet. Happy New Year to all of you.

Happy New Year

Fauve Typography

Produced with 125 Creative, commissioned by the Rees Bradley Hepburn agency. The virtual letter lightboxes were made as the cost of a real build was too expensive. Rough composite renderings were produced live at the photo shoot to reassure the client that the virtual route was indeed the right way to go.

Fauve

By : Mr. Murdoch

Write a Bike Typography

Write a Bike

By : Juri Zaech

Good Food Typography

An experiment with food and type. It's based in Quatro (the beta version), a beautiful type by pprwrk studio.

Good Food

By : Karen Cantú

Creative Paper & Love Typeface

Originally created with a flat typeface in mind, paper & love is based on an octagonal grid and origami folds. The digital version represents this concept of origami by emphasizing transparency and by focusing on the shapes of the letter. The majority of the two-dimensional letters can be obtained by simply folding thin strips of paper and by following the octagonal grid. By taking what I had initially envisioned for the digital version, I created a new set of letters in 3D using paper, an x-acto knife and, of course, love (corny but true) !

Paper & Love Typeface

By : Chris Berthe

Typographic Illustrations

Hand lettered - Illustrator effected

Typographic Illustrations

By : Rutger Paulusse

AMAZING TYPOGRAPHY

AMAZING TYPOGRAPHY by niyi okeowo

TYPOGRAPHY

Geometric Typography

Typographic & morphological experimentation.

Geometric Typography

Source : http://www.behance.net/fclaps

Let there be light 3D Typography

Let there be light

By : Jeff Osborne

Five Principles for Choosing and Using Typefaces

For many beginners, the task of picking fonts is a mystifying process. There seem to be endless choices — from normal, conventional-looking fonts to novelty candy cane fonts and bunny fonts — with no way of understanding the options, only never-ending lists of categories and recommendations. Selecting the right typeface is a mixture of firm rules and loose intuition, and takes years of experience to develop a feeling for. Here are five guidelines for picking and using fonts that I’ve developed in the course of using and teaching typography.

Five Principles for Choosing and Using Typefaces

Read More : http://www.smashingmagazine.com/2010/12/14/what-font-should-i-use-five-principles-for-choosing-and-using-typefaces/

Whale, a way too fat italic

Whale, a way too fat italic By: Davide Mottes

Designer : Davide Mottes

Large Type in Abandoned Spaces

For my Master's in Communication Design I decided to create type sculptures in some of London's abandoned spaces. The large type was constructed using materials found in situ and the chosen words reflect some aspect of the abandoned space. After construction, each piece was photographed using a large format, 5x4 camera. This body of work was exhibited at the Mall Gallery, London in 2006 and featured in Time Out Magazine. These four photographs will also feature in a forthcoming book The A-Z of Ideas by John Ingledew (Laurence King Publishing).

Large Type in Abandoned Spaces by Alexander Shields

Designer : Alexander Shields

Scheppende Stad : Gent

Gent Scheppende Stad (Ghent Creative City) is an initiative of the city council of Ghent to (together with several creative forces/different sectors of society) look for solutions for the urban challenges, so they can shape the future of Ghent together.

Gent Scheppende Stad has been organized as a network of equal partners (companies, associations and individuals). There is no membership, everyones free to commit themselves for a short or long period.

Soon created 4 big letters G, E, N and T, on which the habitat of Ghent (GENT) was represented by means of scale models.

Gent: Scheppende Stad by Coming Soon

Via : http://www.typographyserved.com/gallery/Gent-Scheppende-Stad/827488

The Kitchen of Typography

Typography Treatment for the new deck of cards of the Lovit Store

The Kitchen of Typography by Pablo Alfieri

Designer : Pablo Alfieri